Monday, March 05, 2012

$72.21 - My Day as a Background Actor

I recently joined a local casting company in the hopes of finding odd jobs as a background actor to make some extra money. I hear that some people can even make a living as a background actor!

What is a background actor?

When you watch your favorite movie or favorite TV show, do you see all of those OTHER people in the restaurant? Or the people walking on the street corner? Or, better yet, that huge crowd of people watching a sporting event on your favorite show? Those people didn't just happen to be walking by as the director called "action." No, they're hired actors - "background actors."

 See that guy in the dark in the background carrying a book? He's a background actor! He's also intentionally very darkly lit so that our eye is drawn to the front of the scene at our main characters. Screenshot from Glee 

 There are a ton more background actors in this scene, so that we, as an audience, will feel his embarrassment. I think the girl right behind him wins the "awesome reaction" award! Screenshot from Glee

What does it mean to act in the background? 

As a background actor, your job is to look like you don't see the film crew. You have to pretend like there is no camera and no famous actors around you.

How many times have you, as a pedestrian, seen a film crew and just stopped to stare? That's a term called "Sasquatch a Shot," and it's hilarious. I've been known to do it. As much as I am a film person, if I see a camera, I will stare at it!

When pedestrians see a camera, they usually stop dead in their tracks and stare. Look familiar? Maybe a little like this guy, the Sasquatch?

Because of the unpredictability of random pedestrians, productions pay actors to just look normal as they sit or walk in the background.

My Day as a Background Actor - No, I wasn't actually on Glee

We were called to set in downtown Los Angeles at 6am. Already a gross time to see the world, but hey, at least LA traffic is clear at 5:30 in the morning! I zoomed along, found our specific "Background Actors" parking lot and walked to set.

Once on set, I found the holding trailer - where the background actors are asked to hang out so no one is wandering around the set. I grabbed a delicious breakfast - breakfast is usually the best meal served on a set - and found my seat in the trailer. It was a fairly large trailer with tables and air conditioning, so we were fine!

There were about 60 extras and I didn't know anyone! I played on my phone for awhile as I ate. I tried to make conversation but people were mainly talking about what it took to get into an actor union, how many shows someone has worked, and what other shows someone is going to work. I, of course, could hardly contribute but I listened nonetheless.

Then they called us to get into a line and receive our timesheet vouchers. This is how we would get paid! We have to fill out all of these forms and have them signed off at the end of the day. I was frantically trying to figure out what to fill out, so thankfully some of those actors around me were helpful!

Wardrobe

As a background actor, you are primarily in charge of bringing your own wardrobe. The costume department will look at you and give the okay. If you don't have anything that works for them, then they will give you clothes. If they do give you clothes, then they get to keep your timesheet until you return the clothes at the end of the day. This way nothing of theirs is taken, and you're also protected from being accused of it!

I brought a huge suitcase full of anything I could find around my apartment. We were dressing to be NYC background actors so I wanted to be stylish - unlike my normal attire... The wardrobe lady loved my outfit, and I skipped back to the trailer. Yep, I can pull of city chic baby!

Waiting

Half of the background extras were called to set - meaning, they were picked to be in the first shot. I was in the second half. So we had a good hour or two to kill. This allowed me to make some fun observations. Here we go:

Robe Lady
One woman brought a robe to wear as she walked the set. This tends to be the luxury of the lead actors, not a background actor, but power to her for making this set her own!

Someone is always super opinionated or jaded
A few people I talked to clearly have had a tough time in this business. Keeping in mind that many of them want to be actors, I could understand! The conversation kept turning into a rant on rude, mean famous people to work with and then took a turn for the worse when someone mentioned dating in this industry. I didn't need to hear all that, so I went for some tea.

There's always a talker
There's always that one person who doesn't realize they're being too friendly. We all don't actually know each other, but we're making career talk, industry talk. It's the only thing we have in common. I know I started to get a little overwhelmed by the amount of personal questions asked of me, but I'll be the first to admit that I don't like to talk about personal things!

There are crazies
Yes, some of these people have gone off the deep end. They get angry quickly, fighting over a seat. Mostly they fight to keep their belongings safe. I saw a lot of arguments over drinks being too close to expensive clothes.

I saw a few people just cozy up like this trailer would be their home for the day. I mean, I guess it was...Maybe they know something I don't?

It's always our fault
Sometimes the assistant directors would walk in and make an announcement. Keep in mind, there were about 60 people in this room, so it was hard to hear. A few times, people missed an announcement that was meant for them. Granted, they should have been aggressively paying attention - because we are getting paid (minimum wage) - but things happen.

I saw a few assistant directors get incredibly frustrated, forcing the background actor to apologize profusely. And then once that background actor was out of the room, everyone started saying horrible things about that person! Other actors, that don't even know this person, were judging their character, their work ethic, and who they are as a human being. It broke my heart to see that. I stood up for a few people, but then I started getting the vibe that everything is our fault. If a mistake is made, then we're idiots for making that mistake. It was very sad.

Had to protect myself
It was my first day, and I had to keep saying that so I wouldn't get in trouble. I felt like I was already the bad guy because I was a background actor. No one cares you're there. You're already annoying and in the way. There was no respect, and they all assumed I would be mean to them. The jokes to our face were harsh and insulting, and darnit, it was just weird!

I wanted a job...behind the camera
I wanted to ask if there was someone who was hiring a behind the camera person, but I never really found the time. None of the workers wanted to talk to me. It felt so weird because I'm so used to chatting up anyone. The only nice person was the props guy because I teased him. Then we had a friendly banter. I couldn't help but think "See! Someone thinks I'm cool!"

On Set

Being on set was epic.

Now, keep in mind that I am being intentionally vague of the TV show I worked on because we are not allowed to talk about it. So I am simply talking about my experience and how I related to the set.

Once on set, we were divided into mini groups. My group was pushed to the other side of the street, away from the film crew. That was a bummer because I really wanted to watch the film crew in action! But it turned out to be a very entertaining side of the street.

We were in Downtown Los Angeles - near a homeless shelter. The production wouldn't let anyone walk down the sidewalk with the famous actor, so they were all pushed to our side. We saw some crazies (not to be confused with the crazy actors...these street people were clinically insane).

There were a few "she-mans" - men who look like women or women who look like men - your choice. There was a lot of weed smokers and drunks. There was a witching woman. A few fun hairstyles that you can't create in a normal person's reality... And there was one little girl with a dog who literally threw it at me. I caught it, but still...weird. Finally, the best was the little woman who looked like Pippy Longstocking.

I tried to snap a photo but she wouldn't look at me.  If you look closely, you can see her intense pig tails and her orange Crocs. Love it!

We were all best friends fast!

Everyone on my side of the street became very close with our common fear of the crazies. One time we saw a drunk man literally stumbling and holding onto the wall, so we all huddled together to protect each other from him. Keep in mind that it was about 10am... We dodged his advances by shimmying left and then shimmying right. Please, just try to picture a group of 7 people shimmying left and right around a drunk man. Please...picture it.

Unfortunately, the production never noticed how uncomfortable we were. They would yell "background action" and we would RUN to our places!

A few times they would yell "action," and as I walked, I noticed non-actors, Los Angeles pedestrians, walking with me. One man walked beside me, so he could film the production on his cell phone and not get noticed. Then he would walk back with me to my first position and get ready to film again!

The BEST non-actor experience was when the assistant director was telling a group of us to back up, and as they backed up, so did other non-actors. I turned around to see about 5 extra people just backing up because they thought they were told to do so! We all laughed and yelled "No! You can keep walking!!"  

I think I messed up a shot

Normally, it is the assistant directors who tell the background actors where to go during a take. One particular take, I think someone should have informed me of the new shot changes...

The production was trying to hurry and get more cameras, meaning more coverage, on the action. I was supposed to walk to the right. That's it. Just walk. But to my right were about 3 cameras, so I knew I would be crossing all of the cameras! No one told me not to cross them, so when they said "background action," I went for it!

Once I crossed one camera, I heard the director yell to me and my fellow walker "go left." All I could think was "If I stop to turn and go left, then I will literally be standing in front of a camera and the action taking place in the scene." My fellow walker had enough time to go left, but I did not. So she left me alone, and I hustled to get out of their way.

Because I was so frantic, I didn't even react to what was going on in the scene and it probably looks hilarious.


So did I mess up the shot? I TRULY thought changing directions would have screwed up the shot even more. They didn't do the take again because they ran out of time...so I hope I didn't ruin it!

All of this brings me to my final conclusion: I'm glad I'm not an Actor.

Don't get me wrong. If someone said, "Hey Ashley, be in this movie and I'll pay you so much money," then I probably wouldn't turn it down.

But, I'm glad I focused my career path to behind the camera. Talking to the other actors and hearing what they have to go through to get even a background actor job is ridiculous.

This particular casting service requires that you call in to hear about their casting gigs. Once you think you are qualified for a role, then you must call that particular casting agent. Seems simple right? Nope! The line is usually busy because thousands are calling that casting agent at the same time. So you literally just call, hear a busy signal, hang up and call again. You keep calling until you get through - like when we used to call in to radio stations to get tickets to a concert!

They also make you second guess your attractiveness. Often they stress that you have to be very attractive to be cast in a certain role. This means thin, large breasts and a face of a model. While on set, I felt I was working with gorgeous women all around me, but they are not "Hollywood Gorgeous." I think I'm pretty, but I don't think I would be cast as a model. It's so weird to think of myself in this light. That's why I'm happy I'm not an actor!

But let me tell you all right now, based on my personal casting experience, being "model hot" is NOT what gets you cast in real speaking roles, unless the role calls for hot-girlfriend of course! Having a look, a face of a person who can be real, who can show emotion, is what will get you cast. You have to be relate-able. At least, that's how I feel!

$72
I only made about $72 that day so it's not really something to live on, so I hope to get a better job behind the camera soon! I'll probably continue pursuing background acting gigs, even though I don't think I'm their ideal background candidate, but at least it's a part of this industry, a part of LA, I never thought I would see!

Monday, February 20, 2012

Jesus showed me the way

Saturday night, I went to my friend's stand up show at The Comedy Store in Hollywood. 

The comedy scene in LA is intense. Based on my experience working the Comedy Festival at UNC years ago, I know how scary it can be to get on stage and tell jokes. Now, think about doing that in front of the best comics all vying for the same position in Los Angeles? You've got to be funny!

So when my friend, Sam Stevens, told me he officially decided to pursue stand up comedy, I knew I wanted to support him.

  
THE Sam Stevens telling jokes.

One day, I hope to have the guts he has to be a stand up comic, but until then, I'll be the friend laughing the loudest! 

 Here's @TheoVon - We follow each other on Twitter, but I don't think we've actually met in person, and he ran out before I could say hi. Is that weird? I actually have a few Twitter-friends. It's a good community.

Wait, Ashley, the header says something about "Jesus?"

Yes, yes...I'm getting to that. 

After watching about 20 comics, including Sam, it was getting pretty late. Most of my friends left already, leaving me and 2 others. It was 1:30am and no one was left in the audience. I felt really bad leaving, but my parking lot was going to close for the night, so I had to run to get my car. I said my goodbyes and left the room.

The Comedy Store is one of the most confusing places I have ever been. There are about 5 different entrances that lead to about 10 different rooms (I think). So, needless to say, I got lost leaving.

I somehow ended up in a kitchen. I saw our waitress, joking with the other wait staff, but no one seemed to notice me or my lost eyes searching. I had no idea where to go.

Then came Jesus. Yes, Jesus. Hollywood Jesus to be exact. I had seen him before on Hollywood Boulevard and in many student films and music videos. He was pseudo-famous.

Hollywood Jesus on Hollywood Boulevard

 Hollywood Jesus likes coffee.

He showed me the way...to my car.

He said to me, "Are you lost my child?"

I thought, yep, this is happening -- so I played along.

Me: Yes, how do I get out of here?

Jesus: Why, where would you like to go?

Me: Leave. I would like to leave. (insert nervous laughter)

He took me to a swinging door, opened it for me and very gracefully presented the exit.

Jesus: There you are, my child.

Me: Yes, thank you!

And I left -- not without running into a bunch of people that looked at me like I was crazy. Was I crazy because I was talking to Jesus? Or was I crazy because I was wearing a sweet Southern girl outfit late at night? I obviously looked like a tourist...

Anywho -- so that was my Jesus experience. I guess it was one of those "You should have been there" experiences, but hey, at least you know to look out for a man dressed as Jesus!
 

Monday, February 13, 2012

Interviewed on "Kick In"

Last week, I drove to a little town outside of North Hollywood to be interviewed on "Kick In," a show devoted to promoting fundraising campaigns on Kickstarter and IndiGoGo. 

Sam Proof, the producer of "Kick In," invited me to come on their show and talk about the "Volcano Girl" fundraising campaign on Kickstarter as well as my experience and my goals for the campaign. (the link to the interview is at the bottom of this blog entry)

 Screenshot from the live broadcast. Keziah, my interviewer, tried on the Volcano Girl mask and felt the power!  

I was nervous.

I was very nervous, so I tried not to think too much about the interview - I did not want to psych myself out! Oddly enough, I am used to talking in front of large crowds of people - it's easier to judge how you are doing. If a joke does not make them laugh, then you move on. If everyone starts shifting in their seats or looking at their watches, then it's time to wrap up.

But talking to just one interviewer in front of a camera? That's terrifying! Let's not forget that I have chosen the part of the industry that is BEHIND the camera.

The lens of a camera is the most daunting creature. It just stares at you, daring you to entertain. 

I brought swag.

I wasn't sure how long the interview would be, so I brought the original Volcano Girl mask as well as the huge poster from the IMAX screening in July -- all in hopes of showing how awesome it would be to donate to our campaign and be a Fire Starter! If I only had a few minutes to talk, then at least the visual would be awesome.

I turned red. 

I arrived at their studio, and soon after, we sat in front of the camera for the interview. Did I turn noticeably red on camera? That's for you to discover...I sure felt it.

There were a few moments where, in the moment, I felt like I paused for hours. Fortunately, you can't tell when you actually watch the video. I did at one point entirely lose my train of thought, though, so that wasn't cool. All in all, it was a nice time. Keziah, my interviewer, made me feel very relaxed, and we had a good time!

Oprah?

I do hope to better my skills in front of the camera, though - for the small chance that Oprah will come out of retirement and interview me. Until then, I loved working with Keziah and Sam for "Kick In!"

LINK to the interview! 

Click on the photo below (or here) to link to their site and play the video.




Before you go, though, please note the following: 

1. Start the video but do not be shocked when after 2 seconds it goes to an advertisement. It kind of just jumps to one without giving you a heads up.
2. The Volcano Girl trailer is very jumpy and hard to understand -- that is NOT your internet acting up! Wait until about 1:15 - that's when my interview comes up and the video is easier to understand. Want to see the Volcano Girl trailer crisp and clear? Click here.
3. Don't try to skip ahead/fast forward. Their player is very finicky and sometimes will allow you to jump around, and sometimes will start over at the beginning. Just refresh the page if it gives you issues.
4. "Interviewer Bonny Pierzina" is a left over title card from the interview before me. You will soon see both my name and Keziah's.

Sidenote -- if you need a host, hire Keziah! She made me feel so comfortable and we had a great time!!

Wednesday, February 08, 2012

My Experience Using Kickstarter

As I experience using Kickstarter for the first time, I would like to share some truths I discovered about myself throughout this process. Maybe you can relate? Or have words of wisdom?

Check out our "Volcano Girl" Kickstarter campaign by clicking here

Lesson 1 -- Fundraising = "I need a ride"

Asking someone to give me money brings back the terror I went through in high school when I asked the older kids for a ride home. I felt so bad and it was always awkward (probably because I made it awkward in my fear).

I was wrestling team manager, but I didn't have a car (or a driver's license). So instead of making my parents leave early from work (or come late if we had a match), I asked the wrestlers for a ride.

I was terrified. I didn't want them to go out of their way, or change their plans because they felt guilty. I always pictured them making plans with their awesome older friends and then this little Freshman walks up doe-eyed asking for a ride.

SIDEBAR -- I googled "Doe Eyed" and came up with these photos:



But I felt more like this...

 


The Scenario:

Our interaction usually went like this -

Me: "Hey, ummm Josh?" (Who was probably one of three people who lived out in the boonies of Raleigh -- where I lived)

Josh: "Oh yeah, Ashley, right?"

Me: "Yeah, my name's Ashley. Um, I was wondering..."

Josh: "Oh gotta get to practice, talk to you after?"

Me: "Yeahhhh"

He'd run off to practice while I finished up my management duties. Then I would go to practice to help run drills. The anxiety grew over that 2 hour practice of having to ask Josh again for a ride.

Sometimes I just chickened out and made my mom come get me. Gosh I was so scared. I'm literally feeling that anxiety again as I type this. Okay, taking a breath.

Back to Kickstarter

Lesson 2 -- Confidence

So that's how I feel. Well, that's how I felt when I first began asking for money. 

I learned over this 2 month process that I better get used to asking for money - that will be 50% of my job in this film industry, especially since I plan to be an independent filmmaker (a future where my budget will be raised by me and a fellow producer).

And I believe in the project, "Volcano Girl." I know it's good. And when you have that kind of confidence backing you, then you can bring others on board. Our talented crew worked incredibly hard and deserves to have their work seen by the world. I want to make that happen.

There you have it fellow Kickstarter friend. Have confidence in bringing people on board. You may have an amazing product or film or book, but no one will know it unless you tell them it's amazing.

Lesson 3 -- Call to Action

Give your colleagues a "call to action." This is why Kickstarter is an ideal fundraising site. The deadline makes you raise the money in a specific amount of time or you get nothing. This may seem a little scary, but it encourages your friends, family and Kickstarter members to support you NOW. Plus they get a pretty cool reward if they donate. (Make sure it's a cool reward!)

On the other hand, some people just want to support you. They don't need any fancy rewards. A lot of my family members and friends of the family just gave money. They were very clear that they just wanted to support my future in filmmaking. So my advice is to make a reward called "Just to Support" - or something more original - where your friends can donate to show they care about you.

Lesson 4 -- Be Humble

I am so incredibly overwhelmed by the support we have received in this process of raising money to make Volcano Girl DVDs and send the film to festivals. I know the process of simply finding your credit card is annoying, and then having to put in your information, click here & click there, and THEN punching in how much money you want to donate. It's amazing how others want to help.

I have interacted with a few Kickstarter fundraising teams who felt that it was owed to their project to raise the money - that they deserve the money. I think that's horrible.

Please be humble. None of us are rolling in the dough. Every dollar should be appreciated.

And, be mindful of other Kickstarter campaigns. Maybe you can support someone else? Yeah it may seem counterproductive to give money to another campaign, but it will make you feel good. 

Lesson 5 -- Stay true to your film, book, song, product, poems, etc.

The truth is our industry is being overwhelmed by remakes, re-do's, prequel/sequels. You have a product that is original to you, so stay true to that. Supporters on Kickstarter want new talent. They want new stories, original stories. They want to follow the young filmmakers, writers, singers. They want to be a part of your journey.

So stay true to your ideas. And find a way to keep your journey alive to these new supporters in your life!

Lesson 6 -- Keep the journey alive!

Even if I do not raise the money for "Volcano Girl" on Kickstarter, at least I caught the attention of about 20 people who didn't know me before. And maybe countless others who didn't feel that they wanted to donate, but they did visit our page.

Your Kickstarter campaign is a direct expression of your goals. I have expressed that I want a career in the film industry. So now people in my life who didn't know me very well - know me now. They know I have a passion for filmmaking. And if they want to keep up with my journey, then they can follow this blog.

So, create a blog. A Twitter. A Facebook page. And keep it updated. Believe me, amazing opportunities have come from this blog and my Twitter. Do not be afraid of social media!!

Kickstarter 101

Please share below any other lessons you have experienced while using Kickstarter. I know when I was first starting out, I did hours of research, and felt that everyone spoke very technically of their experience. I wanted to speak more on the emotional side while being mindful of the tech.

I hope you have enjoyed it!
-AM